Monday, 2 January 2012

Spots before your eyes – a guide to stippling

First and foremost here’s to a happy and healthy New Year for all!

I’m very pleased that my step-by-step guide to painting Dark Eldar Scourge Wings has proven to be fairly popular. It’s even been picked out by Roman from Massive Voodoo for inclusion in his latest list of inspirational links! As an addition to the step-by-step I’d like to present an illustrated guide to stippling. It’s something I get asked about on a fairly regular basis so I guess there needs to be a bit of explaining done and it’s easier to show rather than just tell.
 It’s worth pointing out that how I use the term stippling with regards to mini painting is very much my own personal definition of a painting technique and I’m not laying claim to the invention of something new and previously undiscovered.

Stippling is a term I was familiar with from painting and illustration and it is from this that I drew my initial inspiration. One method of shading a black and white illustration is to apply small dots of black. You can adjust depth of shading by varying the density and distribution of the dots.


You can work in a similar way with paint and here the dots can be used to create changes in both colour and shading. The most famous example of this can be seen in pointillist technique used by artists such as Andre Derain and Georges Seurat.


For the purposes of this guide stippling is a mini painting technique where you apply tiny dots of colour using the very tip of a fine brush. Varying the density and colour of the dots can create a shading/highlighting effect. The stippling action can be performed quite quickly but I’d advise a slow careful start - speed will come with practice. This technique is very controllable and can be used to make precise adjustments to an area’s colour/shading. It can be used on its own to highlight/shade an area or in conjunction with other painting techniques.

Stippling is also extremely variable. Working with very fine dots and subtle changes of colour/shade will give subtle graduation with a less visible dot texture. Alternatively you could push the dots to the max for a dramatic and spotty effect like the one I’ve used on the back of the Scourge’s wings. Both paints and washes can be used and their differing qualities will affect the final result.


When I first use stippling I mostly applied it to Eldar armor. Here I have used a relatively subtle (OK its bright pink but I’m not referring to the colour!) variation in texture and tone to give a smooth transition from highlight to shade with a light speckled texture. When I refer to texture in regards to stippling this is a painted effect as the actual surface is smooth.



This painted ‘texture’ is one of my favorite things about stippling. It is particularly affective when used alongside areas of more conventional blending. In my opinion stippling is a particularly good affect for use on large areas of flesh as it can give mottled/speckled look and flesh is very rarely all of a smooth even tone. The subtly of the affect can be varied to keep things looking relatively naturalistic.

On the Unicorn above stippling has been used to highlight and give a dappled texture. Colour has been used very simply working up from a blue grey base to white highlights in an almost monochrome style.

 
The Nurgle predator above also used stippling to give a fleshy quality to it’s surface. As well as providing highlighting and shading the stippling helps to give a more interesting quality to the flesh by using a combination of greens and ochres. The coloured dots are distinct but the eye blends them together when viewed at even a slight distance.


Here on the inside of the Scourge’s wings stippling is built up to create a textured area of shading between the fingers. I’ve used a combination of red & brown washes for the stippling and kept the dots very fine. Where necessary I’ve gone back over and stippled with the lighter base colour to adjust the tone.


The tattoos were filled in with a stippled texture to keep the look of then consistent with the wings.


On the back of the wings some of the dots are applied using a cocktail stick so that the stippling gives the impression of a spotted skin pattern. Check out the ever-excellent Massive Voodoo For Roman’s Tutorial -Making skin with dot grain.

You can also see how washes have been used with the stippling to help blend the effect in with the overall look of the mini.


Also on the back of the wings you can see how stippling has been used to build up both highlights and shading. At the same time it provides an overall grainy texture and a spotted skin pattern. Again the careful application of washes in a glaze helps to bring everything together.

I hope this guide proves useful. I’ve deliberately avoided trying to produce a step-by-step to stippling, as, for me, the process is one of constant improvisation and adjustment as I’ve said before I make it up as I go along. Although it can sometimes result in tears the best way to learn is to take a deep breath and just give it a go. Nothing ventured - nothing gained!

13 comments:

  1. Great guide on an excellent technique!

    The way the stippling has worked on the wings is stunning - adding a lot of visual interest to what could otherwise have been a very bland flat surface.

    Love the blog, keep up the great work and Happy New Year!

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  2. Pointillism on a miniature, now I've seen it all. (except "a man eating his own head" - Team America)

    Superb topic and great images. Never considered the technique before and the results are stellar.

    Class work :)

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  3. Hi, this is amazing work. Do you actually apply each and every dot with a cocktail stick? I do a lazy stipple version on some of my models, using an old brush, and GW sell stippling brushes. What do you use?

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  4. Only the larger dots on the back of the wings were applied with a cocktail stick. The finer dots are applied using the tip of a size0 paint brush.

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  5. One of the best tuto we linked in tutofig.... very impressive job

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  6. Great article, I will try this method for myself and see if I can make it work for me, skin has always been a tricky subject to me. I'm glad I stumbled on your blog, I remember seeing your predator in WD many years ago, I even tried to make my own version as a youngster (I failed, I was using blu tac, didn't know what green stuff was then)

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    1. Thanks and good luck trying out the method!
      I remember my first ever conversion/sculpting was done with plasticine - not good!

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  7. I realy like the effect on the wings. Would it be very dificult to make a video tutorial so we can see how its done?

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  8. I've no plans to make video tutorials at the moment. I'm not confident that I could produce something at a good enough quality. I have put together a step-by-step guide to painting the wings here:
    http://sproketsmallworld.blogspot.co.uk/2011/11/dark-eldar-diorama-scourge-wings-step.html

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  9. Any concerns about your brushes? Do you care about using which ever is your favorite/expensive brush for stippling or do you prefer using inferior ones? Also, thanks for the tutorial

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    1. Hi Hugo,
      I've found that cheaper synthetic and mixed sable/synthetic brushes can actually be better for stippling than pure sable in many cases. Pure sable can be a bit too soft to repeatedly create a strong and distinct dot of color. Synthetic bushes are a little stiffer and more resilient.

      Stippling shouldn't really render any damage to the brushes unless it's being done very roughly! It's a controlled process of dab, dab, dab rather than a stab, stab, stab!

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  10. The images has gone away :( any way to get them back?

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  11. Inspiring tutorial and very generous of you to share your knowledge. I'm going to give it a go.

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